About Reading Apocrypha

My project started with a box of negatives I found at my parents’ house a few years ago. There were about 200 processed and unprocessed films, shot by my father. FATHOM residency at Four Corners Film in London gave me a chance to excavate their contents, delving deeper into the lost images of my father’s life, to create my own stories by using these photographs he took before his marriage to my mother and my birth. I let myself enter into the world of a young man I never knew, and find connections in what possibly cannot be connected with the help of Italo Calvino’s words from his novel ‘If on a winter’s night a traveller’.

With this work, I continue my artistic exploration of questions about found images and archives, and how a coincidence can lead to a new narrative that does not relate perhaps to the real events in these photographs. It is my way to build up ‘a possible portal between an unfinished past and a reopened future’, described by Hal Foster (Foster, H. 2004. An Archival Impulse. In: October 110, Fall 2004, p.15).

How many different stories can we decode from one archive?
By clicking the sidebar button, you create a story from a selection of archival images and words.

Every click is a new story.