Solo exhibition at Narva Art Residency, Estonia
September 8 – October 8, 2017
Curator: Liisa Kaljula
“London-based Estonian artist Maria Kapajeva returns to Narva Art Residency with a solo exhibition studying the social legacy of Krenholm. For 150 years, Krenholm – the textile manufacture that was declared bankrupt in 2010 – was the most important enterprise in Narva, shaping the social and cultural as well as architectural atmosphere of the city. The exhibition focuses on the mill in the late socialist period, when its workshops employed a collective of 12,000 mainly female workers.
Inspiration for the exhibition was drawn from interviews conducted with former workers of the mill and from the digitised family albums, diaries, and memorabilia gathered by the artist during these interviews. By placing this material into the context of a multimedia contemporary art exhibition, Kapajeva makes the history of the local working class visible and enhances it with all of the artistic means at her disposal. The viewer is presented a mill that is filled with lively female collectives and the deafening rhythm of the looms, but which still seems like a bright and distant dream in today’s competitive world, where the collective spirit and sense of togetherness between women is challenged by the individualist and competition-based aims of global capitalism.
As the daughter of a designer at Krenholm, she spent her childhood at the mill, drawing fabric patterns and dreaming about the profession of a textile artist. The current exhibition thus takes a distinctly personal approach, although the main topics of Kapajeva’s art are also present: appropriation of found objects and highlighting of peripheral histories, use of textile techniques and focusing on the representation of women, heightened sensitivity towards social and political matters, and specifically East European feminism.
The exhibition takes its name from March of Enthusiasts, the signature song from the soundtrack of the Soviet film The Bright Way (1940). This musical film, which starred the Soviet cinema icon Ljubov Orlova in the role of a female weaver, inspired one of the Krenholm’s weavers to seek employment at the mill after World War II. The opening work of the exhibition, which bears the same name and performs re-enactments of the famous film, compares a woman’s loneliness then and now and presents to the public for the first time the collaboration of Maria Kapajeva and dance artist Maarja Tõnisson in the abandoned interior spaces of the former textile mill.”